I feel this source is critical in doing research on the representation of women in art as it offers variety in content relative to the thesis, extensive evidence to support its arguments, and a generally unbiased presentation of information as it seeks to create a new art history rather than simply working with the modern version.īroude, N. The authors spread the content of the essays among different regions in Europe which I feel is essential to a study on the representation of women in art as it lends itself as an enciclopediac-like source for all of Europe, rather than just one country or region. Feminism and Art Historyincludes a wide range of art periods including Egyptian Pharaoh Art, Roman Art, Medieval Art, 18th and 20th-century art and concludes with American quilts.

Through several essays, the authors show how the social, political, and religious circumstances of different art periods affect the way women were represented.

In Feminism and Art History: Questioning the Litany, authors Norma Broude and Mary Garrard place art production in social context.

FEMINISM AND ART HISTORY: QUESTIONING THE LITANY.

Manet, Olympia, 1865 Wikipedia General Overview Other sections in this research guide include Representation of Rape in Art History, Women in Religious Art and Imagery, Gender Neutrality in Art, Gender Differences in Art, and Sexuality and Eroticism in Art. The guide consists of a General Overview section with sources that cover a broad sense of the representation of women in art in several art periods but focusing on Victorian Art, Renaissance Art, and Art of the Enlightenment. The sources in this research guide form connections between art and history to provide arguments for or against the idea of a factual representation of women in art. This research guide has compiled sources of information that lend itself to a research paper on the representation of women in art history. Because of its consequential nature, it has become the center of focus for historians interested in revisionist theories about the representation of its subjects. It is a result of the social, political, and religious context in which it was made. Tintoretto, Susanna and the Elders, 1555-6 Wikipedia IntroductionĪrt is a product of its time.

Christian art work using artpaper